Thieves of Hearts Uphold Medieval Traditions in Chicago

“Weird, but mostly harmless,” reads the sub-line of the F.B.I.’s file on the Thieves of Hearts. Considered to be the largest standing militia in Illinois, the Thieves are an armed organization that congregates regularly, but the probability of a militia attack from this group, at least by modern account, is highly unlikely.

The Society for Creative Anachronisms, the overarching organization responsible for the Thieves’ activities states their mission as “Creative anachronism takes the best qualities of the middle ages and recreates them in the modern world.”

Two Soldiers of the Thieves

These two foot soldiers look out of their element in a gymnasium.


“The combat is only one part of what we do, we re-enact all aspects of medieval life,” says 20-year member Daniel Suh, known to the S.C.A. as Okami. “Members research and develop a persona… upon joining they design costumes and submit their crest.” The society involves all aspects of pre-17th century life, with fine attention to historical accuracy. Suh’s persona Okami is derived from the Eastern world, though the S.C.A. primarily focuses on Medieval Europe.

Finding an adequate practice space is difficult for these warriors out of time. Working adjacent to a high school girls flag squad practice, dealing with common Medieval problems such as fire alarms, the Thieves of Hearts barony of the Society for Creative Anachronism’s Middle Kingdom congregated last Tuesday in the gymnasium of suburban Northlake’s Glenbrook North High School, as they do every Tuesday, to hone their swordsmanship and exchange tales of battle.

Dressed to kill.
A knight in heavy armor.

The Thieves of Hearts are one of 17 groups in Illinois which with the organizations from other Midwestern states together form the Middle Kingdom. With 19 kingdoms in total, the S.C.A. is comprised of no less than 30,000 card-carrying members. According to the MidRealm, the Society for Creative Anachronism was founded in Berkeley, CA on May 1st 1966 by a group of individuals who shared medieval interests.

“Many of the early members of the SCA were also members of science fiction fandom, and it was through Fandom that the early SCA spread,” says MidRealm. “Within a year, it was incorporated and slowly began to extend itself beyond its old boundaries.”

“You can find a tournament of some variety or another almost any weekend out of the year somewhere in the world,” says Fendra, a book editor and member of the SCA member for 5 years. A history minor who came to Chicago 5 years ago, she learned that one is granted membership to the organization for the ‘princely sum’ of $35 a year, for which they are given the monthly newsletter of their kingdom. Not all participants are card-carriers however, anyone with an interest is welcome to congregate with the S.C.A. and the group attracts members with various levels of commitment.

A foot soldier displaying his level of commitment.
On the practice field, it is acceptable to be seen in primarily street clothes.

“I’m what they call a stick-jock,” says Okami. Members like Okami focus primarily on the aspect of battle, with less concentration on the historical recreation. “A lot of research is done in regards to the methods of historical combat,” he says. Hand to hand combat is generally categorized as heavy or light weapons combat and is classified by the armor a combatant must wear in battle. Rapier fighters wield long, dulled blades and wear heavy clothing and helmets.

For heavy weapons combat, armor is made to withhold great force. A typical heavy weapons helmet can weigh up to 20 pounds. “You either make your own stuff [armor], or you know somebody who does,” says Alexander de Seaton of Altavia of The Thieves of Hearts.

Archers, swordsman and even equestrians can all be found in the S.C.A., though should one wish to do battle, they must ensure they are properly protected. Gwen relates a horror story of a member who neglected to wear all the essential components of his armor.

Wear A Cup by druano

All photos, video and audio were shot by Rob Fidler, Tom Butala and Dan Ruano.

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